Works

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ALEXA MEADESTREET ART WORKS

Since her world­wide bre­ak­th­rough in 2010, the Ame­ri­can artist Alexa Meade (b. 1986) has fasci­na­ted with her spe­cial tech­ni­que that chal­len­ges the per­cep­tion: She doesn‘t paint on can­vas but paints what she sees on the objects them­sel­ves, thus beco­m­ing an inter­pre­ta­tion of them­sel­ves. In addi­tion, there‘s no visi­ble break line bet­ween the models or pain­ted objects and the sur­roun­ding space in the pho­to­gra­phic image, crea­ting the illu­sion of a two-dimensional, self-contained image sur­face. In her seventh exhi­bi­tion cura­ted by Ingo Seu­fert Gal­lery, a total of 21 fine art prints in the street art style will be pre­sen­ted, inclu­ding a pre­viously unseen work from 2012.

30 March 2022 – 30 April 2022

The gal­lery is clo­sed on Good Fri­day, April 15th, 2022.

On 30 March at 6 pm all are invi­ted to the opening recep­tion at the gal­lery.

The fol­lo­wing works are pre­sen­ted in the show:

ALEXA MEADESTREET ART WORKS

Since her world­wide bre­ak­th­rough in 2010, the Ame­ri­can artist Alexa Meade (b. 1986) has fasci­na­ted with her spe­cial tech­ni­que that chal­len­ges the per­cep­tion: She doesn‘t paint on can­vas but paints what she sees on the objects them­sel­ves, thus beco­m­ing an inter­pre­ta­tion of them­sel­ves. In addi­tion, there‘s no visi­ble break line bet­ween the models or pain­ted objects and the sur­roun­ding space in the pho­to­gra­phic image, crea­ting the illu­sion of a two-dimensional, self-contained image sur­face.
Her star­ting point was the imple­men­ta­tion of the respec­tive bright­ness values ​​on the human body as a pain­ting in shades of gray. After the poly­chrome color became more and more import­ant in her work, she dis­co­vered pure black and white pain­ting for her­self, which she initi­ally pro­pa­ga­ted in the stu­dio, but then, under the impres­sion of the works of Keith Haring and Banksy, incre­a­sin­gly outs­ide as street art per­for­mance in com­bi­na­tion with graf­fiti back­drops: Many of those works were crea­ted in 2012, e.g in Zurich, Lon­don, Madrid and Mel­bourne, as a kind of sty­listic alter­na­tive to the intri­guing MILK series of that year. Also in Tokyo in 2012, Meade crea­ted a link to the third dimen­sion in the form of pain­ted glass panels that repeate and super­im­pose the black con­tours of a model pain­ted in black and white. In addi­tion, in 2014 she crea­ted two works with Lon­don pho­to­gra­pher Lacey as part of a cam­paign for Details Maga­zine. At Art Paris 2015, she pre­sen­ted the CMYK series, in which the models and back­ground merge with each other due to their barcode-like pain­ting. The shoo­ting of a couple pain­ted in black and white in San Fran­cisco became famous in 2016, as the male model used to pro­pose to his girl­fri­end in front of the camera. After some street art per­for­man­ces in color, picking up ele­ments of pop art, the artist retur­ned to pure black and white pain­ting in some of her recent com­mis­sio­ned works, such as the 2019 per­for­man­ces for adi­das Sports Club and for Apple.
In her seventh exhi­bi­tion cura­ted by Ingo Seu­fert Gal­lery, a total of 21 fine art prints by the artist will be pre­sen­ted, inclu­ding a pre­viously unseen work from 2012.